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Performative Monuments: The Rematerialisation of Public Art (Rethinking Art's Histories), by Mechtild Widrich

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Pressestimmen

"Mechtild Widrich's astonishing and original book connects performance histories, feminist theory and speech act theory to elucidate the "event character" of public art by contemporary artists. Widrich advances a powerful argument about the stakes of spectatorship, temporality and collective memory.'" -- Julia Bryan-Wilson, Associate Professor of Contemporary Art, University of California, BerkeleyRigorously researched and argued, this important book will become required reading not only on the history and theory of performance art but also on the history of the "performative" itself as it has transformed public art and commemoration.' -- Kirk Savage, Professor, History of Art & Architecture, University of Pittsburgh

Über den Autor und weitere Mitwirkende

Mechtild Widrich is Professor of Contemporary Art History at the University of Vienna

Produktinformation

Gebundene Ausgabe: 226 Seiten

Verlag: MANCHESTER UNIV PR (18. Juni 2014)

Sprache: Englisch

ISBN-10: 0719091632

ISBN-13: 978-0719091636

Größe und/oder Gewicht:

16,1 x 1,9 x 24,3 cm

Durchschnittliche Kundenbewertung:

5.0 von 5 Sternen

1 Kundenrezension

Amazon Bestseller-Rang:

Nr. 2.043.529 in Fremdsprachige Bücher (Siehe Top 100 in Fremdsprachige Bücher)

Das Buch ist sehr interessant für alle diejenigen, die sich mit neuen Modellen von Kunst und Öffentlichkeit auseinander setzten, aber vor allem auch (vielleicht überraschend) für Interessierte an Performance. Mir scheint hier eine sehr aktuelle Theoretisierung gelungen, die sich mit der Frage von Performativität und sozialer Verbindlichkeit in der Kunst (also der Frage Kunst und Leben) auseinandersetzt. Es ist gut geschrieben und toll recherchiert, der Bogen reicht vom Wien der 1960er Jahre, Jugoslawien in den 1970er Jahren und Deutschland vor 1989 bis zum heutigen Kunstgeschehen.Auch für die Geschichte der Performance ist das Buch von spezieller Bedeutung: Wenig bekannte frühe Arbeiten von Marina Abramovic werden anhand archivarischer Quellen in Belgrad untersucht und gängige Meinungen zu berühmten Aktionen, etwa der österreichischen Künstlerin VALIE EXPORT, akribisch hinterfragt. Das Buch ist komplex, aber (bei guten Englischkenntnissen) sehr gut und spannend zu lesen.

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